New Paintings Still Wet

The Dry Yard


A worrysome commission!

I have run workshops on a friends farm several times in the last couple of years and when I was pleased when she asked me to paint a retirement painting for one of her long serving staff.

The worrysome part came when I realised what she wanted to be included in the painting. Most of the needs were easy enough to oblige but Hey! this man has been a stockman all his working life and knows the yard and the animals inside out!

Think about it, would you like to spend your retirement in front of a painting of some animals that are not even anatomically close to being accurate? Ouch!

The only hope was to rely on the animals returning to the same poses every now and then and the water trough was the answer! Even then the wretched beasts approached from a different angle every time and in the end I am sure that they were leering at me saying "I am not the same one you were working on before , I have got a curly coat, remember?"

In the end I hope that the contre jour lighting helped me out a bit and he might make allowances for it being painted by a "townie".

I gave it my best shot, observed like I have never observed before and enjoyed the little still life of the stone watering trough and fencing details and the surrounding barns but it is the animals that still make me nervous!





Oil 11" x 14"

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Some more Paintings from Venice!

 

 

"From the Riva"  Oil 10" x 12"

 

 

 

Clock Tower, San Marco 16" x 10"

 

 

A little later the same day out in the Piazza after high tide had made a small flood

 

Oil 12" x 10"

 

 

 There were quite a few British artists there at the same time.  We had a good get-together at Ken Howard's studio one evening to compare notes which was good fun. Karl Terry, Chris Daynes, Roger Dellar and Lynn Dellar, Tony Dakin, Roy Connelly and myself were all well fed by David Bachmann!

 

 

 

 

"Venetian Sunset" Oil 10" x 12"

 

 

 

"Wet Evening, Sestiere San Polo" 10" x 8" Oil

 

 

"Christmas in San Marco" Oil 14" x 11"

 

 

"After Rain in the Piazzetta" Oil 8" x 6"

 

 

 

"Palazzo Ducale" 10" x 12" Maybe I would have liked this scene better without George Clooney overseeing the work on the Library but I suppose Omega are helping towards the costs of the repairs!

 

 

 

This little bridge crosses the canal which leads up to the Bridge of  Sighs and I thought it warranted a sketch of the photographers and tourists silhouetted against the afternoon sky.

 

 

I went down to Chioggia (pronounced Kee-Odgia) for a day and it was the wettest day of all but I enjoyed it so much that next time I might even stay there for a few days and do the commute in the other direction to Venice! A conveniently placed arch in the middle of the road provided the shelter from the torrential rain for this one!

 

"Corso Del Populo, Chioggia" 10" x 8" Oil

 

After the rain finally stopped I did several small sketches in the same area as I hate packing up all the gear when time is short!

 

"Fish Dock, Chioggia" 10" x 8" Oil

 

 

 

 

 

 

 

 

 
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Happy Christmas!

Wishing you all a Very Merry Christmas and a Happy New Year!

 

 

 

 

 

 

"Christmas in San Marco" 14" x 11" Oil Plein Air

 

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Varifocal lens problems?

I had never painted the hospital on previous visits so it was on my list of possibilities. It is very interesting both from the almost ecclesiastical architecture point of view and the setting alongside a canal. Like many Venetian buildings it looks a bit wonky due to the subsidence of the foundations but I was left wondering if my new varifocals mught have led me to overemphasize this a little? I have been having trouble with verticals especially when tight locations force me to stand a bit to one side:(

 

"Ospedale" Oil 12" x 10"

 

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Organising a painting holiday!


For anyone who has never done it the organising of a painting holiday for more than forty painters is harder than you might think. It is a bit like walking a steeplechase course in the sense that one has to imagine that one's car is a fifty foot motor coach as the alternative is that come the day the driver will say, "are you sure about this route, Mike?" as a hairpin bend or a low bridge comes into view! Then there are the hotels, surprisingly few are suitable either for size quality or location. Finding painting locations to satisfy everyone is tough and one can only do one's best as it is seldom possible to oblige everyone but later in the year it is always nice to start to see the work from these expeditions in the Society Shows or the Royal Academy. We also need to think about making a good programme for the wives who come along as well, visiting castles, museums, perfumeries, chateaux, chocalateries, fashion houses and just plain old retail therapy!

After more than a thousand miles of doubling backwards and forwards across Britanny it is all now finalised but as you will imagine there was little time to paint!

Here are a few, mostly rushed efforts, but giving an idea of what we will have to look forward to next June! If anyone wants to come you will be assured of a great welcome, the company of some excellent painters and of course the renowned french gastronomy!

City Nocturne 8" x 10"



Harbour Nocturne 6" x 8" Oil




"Gulls Feeding, Normandy" 10" x 12" oil





"The Lighthouse, Cancale" 10" x 12"



 

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Marylebone High Street


This is typical of many street scenes in London showing the variety of architecture, signage, traffic and pedestrians. This piece was commissioned by a young lady from Canada who wanted to give her husband a memento of their time together in London on their return home after a few years living in West London.

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Tilting at Windmills in North Norfolk!

 

Last week I spent a very pleasant week in North Norfolk with some painting friends. The trip was organised this time by David Bachmann who found a lovely old house on the banks of the river at Burnham Overy Staithe which was a great base from which to explore the Norfolk Coast. Karl Terry, Roy Connelly and Paul Rafferty were also there and it was fun to compare work and exchange painting philosophies in the evenings! The output was quite high and most of us managed around 25 to 30 pieces. Here are a few.

Just up the road was this rather fine windmill which made a fine early morning subject to have a "tilt" at! 11" x 14"


This is a distant view which includes the house we were staying in. The mast of the foreground boat points to it - what an idyllic setting! 11" x 14"



We were in the habit of being outside at 6 o'clock looking for dawn subjects. This was scrubbed (I can't really say painted!) in about fifteen minutes but it gave me what I wanted! 6" x 8"




The following morning with much more drama! ( and much earlier in the morning!) 6" x 8"




The same mill from across the marsh 8" x 10"



We had a day in Cromer and I enjoyed painting this view of the pier and beach from the top of the cliffs and thought the subject was worthy of a bigger board! 16" x 20"



This was painted on the broads on the way home in a hot gale reminiscent of a scirocco! 10" x 12"




A little study of a bilge keel yacht aground at Wells 8" x 10"



The edge of a field near Brancaster 12" x 16"


Finally a shot from my bedroom window. There are in fact five easels in view here. Can you spot them all?
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"The last days of Summer!"



We have had a few welcome warm days lately when the braver souls have still
looked for some fun on the beach, and the promenades were full of strollers and the cafes were busy.



Oil 10" x 12" "Strollers on the Prom"



Oil 10" x 12" "Fun on the Beach"



Oil 10" x 12" "Late Summer, Camber Sands" As the tide was going out fast I actually painted the wet sand first. Ten minutes later it was dry!

This balmy weather did not last long so I decamped to Dungeness. This wide shingle beach was the start of the cross channel fuel pipeline to France (Pluto) during the Second World War and for years was very polluted by spilled oil but now the wild plants have returned and a few people who love the wild solitude of the ple live in small wooden houses on the beach. The nuclear power station dominates the skyline so it sometimes seems better to include it than to try to find a viewpoint which avoids it!



Oil 6" x 18" "Twilight, Dungeness"
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"An afternoon in the Lavender Fields"

Despite being a little bit "over" as far as the lavender was concerned it was still fun to paint for a few hours in the Lavender Fields at Mayfield near Carshalton. It was quite an intoxicating experience to paint among the swarms of bees and the strong perfume of the plants and there were still a few photographers and walkers around to add a bit of life here and there. Both paintings are 10" x 12" and of course the one day I needed some cobalt violet I had left it at home!

I did experiment with a bit of Lavender oil later on but was not too impressed! More exciting was the experiment in the underpainting with the 1 part Damar Varnish, 1 part Stand Oil and 5 parts Turpentine mix which went off like greased lightning and gave a nice dry base to work into after only ten minutes. (Courtesy of "Processes, Pigments and Vehicles" published in 1895)








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Wexford Open Plein Air 2011

 

Yet again the Art in the Open Competition, now the biggest plein air event in Europe, lived up to expectations. Superb organisation, and the engagement of all the local people, who really welcome over 100 artists from around the world, make this an unmissable event for me!

 

The main competition is held over a weekend in the nearby Towns of Wexford and Enniscorthy and there is a big prize fund. I was delighted to win a runner up prize!

 

A series of paint-outs during the weeks before and after the main event gives everyone a chance to get to know the local area and get some practise if they are not accustomed to working out of doors. Here is one of the pieces that I painted during those events.

 

 

"The Barbecue Party" 11" x 14" Oil

 

 

 

 

 

 

 

 

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