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Michael Richardson was born in 1943 in North London. His fathers illness forced the family to move out of London after the war ended to Ipswich in Suffolk, a particularly pleasant rural county in the South East of England also known as "Constable Country".

He was encouraged to take further art education on leaving Ipswich School in 1960 and trained at Ipswich School of Art as a sculptor and painter 1960-1962. At this time a keen interest in sailing led him into a career in the marine industry where he specialised in sail design and manufacture.

During this period he maintained his interest in painting as a hobby and returned to full time painting in 1992.

As a result of his marine industry experience he is drawn to subjects containing boats and his knowledge of the way they are designed and built lends authenticity to his marine work.

A prolific output, mainly in watercolour has found homes all over the globe, a large number of which are in America.

He has organised several overseas painting holidays for other artists in France Belgium and Holland. He has also traveled extensively painting throughout Europe, The Far East, Indonesia, New Zealand, Australia and the USA

His main current interest is in plein air painting enjoying the challenge of working fast in all weathers in front of the subject.

He is a member of the Wapping Group of Artists, probably the oldest outdoor painting society in the UK which numbers several of the most prominent British  Landscape and Marine Artists including Trevor Chamberlain, Fred Beckett, Paul Banning, Bert Wright,.Roger Dellar and Geoff Hunt





"The Pub on the Marsh"
by Michael Richardson on 11/18/2009 3:56:48 PM



Sometimes I wonder why I put up with all the discomfort of working en plein air. Why don't I just use photos like most people I know? They are better than ever now apparently, being digital and everything? Trouble is without the pressure to get it all done in half an hour because it is getting dark, without the easel being thrown about by the wind, without the rain squalls, without ending up nearly wearing the painting on the front of my jacket, would it really show the experience that I had on that day at that place. The answer of course is no, and that is why I do it and everyone thinks I am barking mad but I enjoy it really! Whilst this type of work is not very commercial it will probably always have a place in my own collection, and will always be able to take me back, brush stroke by brush stroke to the 16th November 2009 at 5 oclock in the afternoon!




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Sheila Vaughan
via michaelrichardsonfineart.com
This is an absolutely beautiful painting Michael and testimony to your stand against all weathers and light changes as the day dies down. I really admire all you plein air painters and in this painting the freshness and life of actually being there on the spot shine through without a doubt.
Mark Landes, MA/DC
via michaelrichardsonfineart.com
I have followed DP for several years. You paintings stand out. I like the contrast and light.
Mark Landes, MA/DC
via michaelrichardsonfineart.com
Meant to add that your countryman, Rowland Hilder was my first "teacher" (through his books) -- He would like your sky (He said to paint a sky a day). He crossed the Atlantic on the Luisatania within weeks of when the U-boats sunk it (the boat-not the Atlantic).
Inna Lazarev
via michaelrichardsonfineart.com
Michael,
I love your painting - interesting composition, pleasing harmonious palette and masterful brush work.
All of these plus your emotional involvement helped to recreate your full experience of this November afternoon. The freshness and emotional charge of your painting can only be achieved with you being right there, never from the photographs.
Carolyn
via michaelrichardsonfineart.com
I think this is an AMAZING painting! I love it!
Alex Perez
via michaelrichardsonfineart.com
Michael, hello
I would like to invite you to exhibit as a guest artist in our "Spring 2010" online exhibition, will be 24 artists exposed, 19 artists members of our galleries and five guest artists, we still have two places for guests, we exhibit only one works per artist, the invitation is absolutely free, for more details, just reply.
Let me know.
Happy Holidays.
Alex
Mark Landes
via michaelrichardsonfineart.com
Alex,
I would like to accept your invitation to enter one painting in Spring 2010. Mark

Mark Landes
via michaelrichardsonfineart.com
Alex,
You may have meant your invitation for Michael
not me (Mark). In that case let me know. No
problem. I can alsways work for an entry next year. Mark