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Michael Richardson was born in 1943 in North London. His fathers illness forced the family to move out of London after the war ended to Ipswich in Suffolk, a particularly pleasant rural county in the South East of England also known as "Constable Country".

He was encouraged to take further art education on leaving Ipswich School in 1960 and trained at Ipswich School of Art as a sculptor and painter 1960-1962. At this time a keen interest in sailing led him into a career in the marine industry where he specialised in sail design and manufacture.

During this period he maintained his interest in painting as a hobby and returned to full time painting in 1992.

As a result of his marine industry experience he is drawn to subjects containing boats and his knowledge of the way they are designed and built lends authenticity to his marine work.

A prolific output, mainly in watercolour has found homes all over the globe, a large number of which are in America.

He has organised several overseas painting holidays for other artists in France Belgium and Holland. He has also traveled extensively painting throughout Europe, The Far East, Indonesia, New Zealand, Australia and the USA

His main current interest is in plein air painting enjoying the challenge of working fast in all weathers in front of the subject.

He is a member of the Wapping Group of Artists, probably the oldest outdoor painting society in the UK which numbers several of the most prominent British  Landscape and Marine Artists including Trevor Chamberlain, Fred Beckett, Paul Banning, Bert Wright,.Roger Dellar and Geoff Hunt





"The Creek in Winter"
by Michael Richardson on 1/24/2010 8:16:51 AM



This is another painting from a favourite harbour in Kent. In the summer it is bristling with Thames Sailing Barge masts and sprits as it is one of the few places left where they have the traditional skills to repair and restore these magnificent working ships.

In the winter they erect these polytunnels over the boats so that they can work on through the bad weather. Many of them are also the skippers homes.

For this painting I had the luxury of a whole afternoon, a long time for me but rather than do two or three sketches I wanted to really take advantage of the relatively constant light and try to produce something a little more considered so I took a little time to check the proportions and perspective and again it is a little larger than usual at 12" x 16". The palette was Raw Sienna, Raw Umber, Jaune Brillante, Cadmium Yellow, Cadmium Red, Cobalt Blue and Cerulean Blue plus Underpainting White.

A shepherd came by when the the grass was still in cadmium red underpainting and drily remarked that he had always thought grass was green and reckoned his sheep probably did as well but he thought I had got the rest of it about right! The hoofprints full of water helped to break up the mud in the foreground with little accents of reflected light.




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Bruce Sherman
via michaelrichardsonfineart.com
Hi Michael!.... Stumbled upon your site by chance and have to say that I enjoyed your paintings and comments.

I particularly am drawn to the atmospheric, moody quality in your work! Your brushwork and designs really shine to create real plein air gems!

I'll certainly be returning to your site!... as a "regular" follower!

Regards,
Bruce Sherman