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Michael Richardson was born in 1943 in North London. His fathers illness forced the family to move out of London after the war ended to Ipswich in Suffolk, a particularly pleasant rural county in the South East of England also known as "Constable Country".

He was encouraged to take further art education on leaving Ipswich School in 1960 and trained at Ipswich School of Art as a sculptor and painter 1960-1962. At this time a keen interest in sailing led him into a career in the marine industry where he specialised in sail design and manufacture.

During this period he maintained his interest in painting as a hobby and returned to full time painting in 1992.

As a result of his marine industry experience he is drawn to subjects containing boats and his knowledge of the way they are designed and built lends authenticity to his marine work.

A prolific output, mainly in watercolour has found homes all over the globe, a large number of which are in America.

He has organised several overseas painting holidays for other artists in France Belgium and Holland. He has also traveled extensively painting throughout Europe, The Far East, Indonesia, New Zealand, Australia and the USA

His main current interest is in plein air painting enjoying the challenge of working fast in all weathers in front of the subject.

He is a member of the Wapping Group of Artists, probably the oldest outdoor painting society in the UK which numbers several of the most prominent British  Landscape and Marine Artists including Trevor Chamberlain, Fred Beckett, Paul Banning, Bert Wright,.Roger Dellar and Geoff Hunt





"Shoppers in Northgate Street, Bath"

by Michael Richardson on 8/27/2010 11:23:03 AM
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"Shoppers in Northgate Street, Bath"
This was painted against the light on a traffic island in Bath city centre and was indeed a challenge, what with noise and fumes and occasional verbal abuse from white van man! A lovely subject nontheless!

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A hot and sultry day in London

by MR on 8/1/2008 5:07:27 AM
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"Canary Wharf Gardens"
This garden in the middle of the ring road around Canary Wharf is an oasis of calm amongst the high rise buildings and is popular with office workers escaping for their lunch breaks. Although the lawn was in partial sunlight I chose to show the buildings and trees in a more cloudy moment to accentuate the contrasts.

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"The Fallen Willow"

by MR on 4/17/2008 12:35:10 PM
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The Fallen Willow
I have seen this group of trees many times from a motorway but it took some determination to find a route to it including a sploshy walk through water meadows.

For the second day running I found the challenge was to allow the eye to pass beyond the trees to the landscape beyond. The conical towers in the background are oast houses, drying kilns for hops for the brewing industry.

Oil, 10" x 14" bit bigger than usual, (well it was a long walk) Palette, Cobalt blue, French Ultramarine, Cadmium Red, Alizarin Crimson, Burnt Sienna, Raw Sienna, Cadmium Yellow, Cadmium Lemon Yellow, Underpainting White


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Barge Moorings, Chelsea Reach

by MR on 4/12/2008 12:49:13 PM
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"Barge Moorings, Chelsea Reach"
I ususally encounter a lot of public interest when painting on the embankment and once lost a paintbox to some children but on this cold and breezy day there were only joggers and cyclists. One who did stop turned out to be a fellow artist and Royal Portraitist, James Potter. I have added his site to my links page and there is some interesting work there, some delightful watercolour nudes and a huge 8 feet by 15 feet group portrait!

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The last chance to save the day!

by MR on
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"Under Hungerford Bridge"
Three times I set up in different parts of London and each time was rained off within a few minutes and eventually it set in for the day. So it was off to Cornelissens to restock on paint. Later while waiting for the rest of the party, (the part that shops for bling) I found this view under the Hungerford Railway Bridge. It was too dark to really see what colours I was using under the street lights but it stopped me going home empty handed and feeling cheated by the weather.

10"x8" gesso panel Palette, Cad Yellow, Cad Red, Aliz Crimson, Winsor Violet, Cobalt Blue, Raw Umber

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Westminster Gardens

by MR on
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"Last light, Westminster Gardens"
This is a view that I noticed last summer but it is much better when the leaves have fallen! The narrow shaft of light passing between the buildings and lighting the grass, walls and especially the tree on the left was the inspiration so I broke my normal rules about not leaving any part of the painting behind by stating this narrow strip before anything else to make sure the tones and colours were right.

It was lucky that I did as the sun went in shortly afterwards! They say that rules are made to be broken!


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Another day trip to London!

by MR on
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"Lamp Light in Clink Street"
These railway arches abound in the Southwark area and carry the lines from Cannon Street. The glimpse through to the narrow winding street beyond was the attraction here as was the contrasting warmth of the lamps glowing against the old bricks with the cooler tones beyond. This small sketch was painted in less than an hour using a very limited palette of Alizarin Crimson, Cadmium Yellow and French Ultramarine plus white. The canvas was previously toned with quite a dark gray so the midtone was already set. Only one figure has any detail as he was the only one in clear light as he entered the short tunnel.

8"x6" Oil on canvas board.

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